FILM FOR THE VAN ABBEMUSEUM FEAT. FLORIAN PESSENTEINER / DIRECTED BY JOOST VANDEBRUG
Director Joost Vandebrug / Styling Meike Beckers
Visual artist Vincent van de Waal / Hair/Makeup Ingrid van Hemert
Model Florian Pessenteiner at Lara Pixie
THIRD FLOOR NEW YORK AUTUMN/WINTER 2009/10. MODEL GRAYSON VAUGHN / SHOT BY AMANDA DE SIMONE
Photography Amanda De Simone / Styling Ainne Oum / Make-up Alonzo Alston / Hair Karmela Lozina / Designers Cedric Haughton & Anthony Hendrickson
GILLIAN BROWN
INSIGHT OUT
Video projection on sculpture by Gillian Brown, 2002 10" high on 40" stand.
Inspired by an illustration by Descartes of visual perception, Insight Out is a meditation on inner and outer vision
CONTROL OF NATURE
44" x 42", black and white photographs.
Control of Nature layers dance step diagrams with kissing or dancing couples and, in the center of the work, one lone young woman seated amidst empty chairs. Scientific illustrations of planetary and water movement further enrich associations.
SHE TOOK IT TO HEART
56" x 56", black and white photographs.
Here a classroom chart of an "invisible" model man is juxtaposed with diagrams of common, often clicheed, sentences that make references to the human body ("She took heart," "He was galled," etc.).
U N T I T L E D (Andover)
In this piece, from the "Constructed Photographs" show at the Addison Gallery of American Art, a found photograph from the '50s of students painting on easels in the museum is painted life-size over several surfaces.
Gillian Brown site
Video projection on sculpture by Gillian Brown, 2002 10" high on 40" stand.
Inspired by an illustration by Descartes of visual perception, Insight Out is a meditation on inner and outer vision
CONTROL OF NATURE
44" x 42", black and white photographs.
Control of Nature layers dance step diagrams with kissing or dancing couples and, in the center of the work, one lone young woman seated amidst empty chairs. Scientific illustrations of planetary and water movement further enrich associations.
SHE TOOK IT TO HEART
56" x 56", black and white photographs.
Here a classroom chart of an "invisible" model man is juxtaposed with diagrams of common, often clicheed, sentences that make references to the human body ("She took heart," "He was galled," etc.).
U N T I T L E D (Andover)
In this piece, from the "Constructed Photographs" show at the Addison Gallery of American Art, a found photograph from the '50s of students painting on easels in the museum is painted life-size over several surfaces.
Gillian Brown site
OSSIP
ATELIER OSSIP
The Dutch artist Ossip (The Hague, 1952) constructed a replica of his own studio in the Gemeentemuseum Den Haag. Visitors were confronted with his ‘favourite objects’ and the works of art with which he surrounds himself in his workplace.
The Dutch artist Ossip (The Hague, 1952) constructed a replica of his own studio in the Gemeentemuseum Den Haag. Visitors were confronted with his ‘favourite objects’ and the works of art with which he surrounds himself in his workplace.
Suscribirse a:
Entradas (Atom)
